Order, placement and detail are necessary components of my work as well as in my everyday life. Art should extend beyond the frame and into the three-dimensional environment.
The bulk of my private study deals with a lifelong interest in the rural landscape. I am taken in by the different atmospheres, the random patterns and colors. Old buildings, vehicles and other objects of the human existence left to the environment seem to be telling their stories: where they’ve been, what they’ve done and what they are doing now.
Soft-focus interpretations represent how I now see the world, which is much like an impressionist painting.